My design practice is an extension of my personality and curiosities. I often find myself snowballing projects from articles I find online, human interactions, or niche archives. Through research and constraints, the mundane can become exciting and playful, and being able to communicate this to others is very cool to me. Most, if not all, of my projects are process-based, allowing for an element of play and focusing more abstractly on my subject. In "What Remains," I have been exploring the effects of nostalgia and hauntology on our shared memories.Alongside my studio practice, I’m the graphic designer for Glasgow University Magazine for 2023/2024, designing, making content, and art directing three editions. Folio What Remains, Acrylic & Ketchup Screen Print on Paper, 2024